POLARIZING BRANDS – LOVE THEM OR HATE THEM

As a child in the 1970s, with all the grazes you pick up at friends’ and extended family’s houses, my world divided into Savlon families and Germolene families.

We were a family of the gentler-smelling Savlon. To me, that alien medical-smelling pink Germolene was never quite the homely soothing I wanted, however kindly applied by friends’ parents.

(BTW, the Germolene smell is mainly oil of wintergreen, and phenol which you’ll recognise in TCP and very peaty whiskies like Ardbeg or Bruichladdich.)

I had this clear idea that you were either a Savlon family or a Germolene family but never both. But both antiseptic creams did much the same job, so what was that about?

The other day, as I put some Savlon, AKA Magic Cream, on a mysteriously throbbing toe (it helped) I decided to put my childhood theory to the test as an adult. I put a poll up on Twitter.

Turns out I wasn’t far wrong with my childhood theory – only 18 of the 361 respondents (5%) used both brands.

That got me thinking about brands that polarize consumers. The polarizing attributes of a brand and the people you associate with them, the way they speak to us and the words they use, the advertising and PR they produce. The products and their polarizing smell, colour and packaging and the psychological associations they evoke.

I think (but not 100% certain) it was Gary Hamel who talked to me, early in my career, about companies that deliberately set themselves up in opposition to another – usually a larger and more established incumbent. This is in part to set out their stall as definitively ‘not like the other’. I remember also discussing its strategic cousin – deliberately polarizing consumers so they self-select and more strongly identify with the company’s brand and advocate its products.

Both techniques use polarization to define and build their brand, and attract attention.

(Gary Hamel founded Strategos, in the late 1990s. I met him on a flying visit and heard him speak when his team were working with my team at the merging insurance giants of Commercial Union, General Accident and Norwich Union, now unified as Aviva. Strategos helped us develop our ideas into what became an early business incubator, SiliconWharf, which resourced and encouraged the company’s hottest talent to launch and scale finance- and insurance-related start-ups from within the company. What we now call FinTech. Looking back I see how much thanks I owe to Gary Hamel and Strategos for that intense skunkworks project experience.)

Back to brands that polarize.

One of the most famous examples of one company pitching itself against an incumbent giant was Virgin Atlantic and its PR and legal battle against British Airways’ dirty tricks in the 1990s. You can read about the dirty tricks campaign here, here and here. It’s an extraordinary story.

No doubt Richard Branson would have struggled to resource his win without the commercial strength of his other Virgin businesses; his airline was tiny compared to BA. But in winning his public and righteous fight against such a huge and devious opposition, the Virgin Atlantic brand was cemented into our consciousness as the brave and meritorious upstart alternative.

That win, and the continuing strikingly confident ‘join us, we’re glorious winners’ theme of its advertising (featuring the gorgeous staff and their gorgeous designer uniforms) made the Virgin Atlantic brand. And just like Savlon v Germolene, with Virgin or BA you generally favour one or the other.

More recently, there’s Apple versus Android. Again often defined by legal battles, although these days they’re rather more esoteric patent disputes. Whilst many of us have an iPad but use an Android phone, vanishingly few of us switch from iPhone to Android, and increasingly fewer switch from Android to iPhone. You’re either one or the other. Some might say it’s a style (iPhone) over substance (Android) thing. The truth is, iPhones aren’t that awesome as phones. But the gorgeousness of the brand and the beauty of Apple’s physical product design blows away the many many phone brands using Google’s arguably superior Android operating system. Whatever, you’re generally one or the other.

Marmite took brand polarization to new heights with its enduring Love It Or Hate It advertising.

Here, as with all the greatest brands, the creative message started with the product which I and millions of others love, but maybe you and millions of others detest. So clever to boldly say, “You’re either with us or against us but not both.”

Newer brands have adopted this polarizing strategy too, to huge effect.

Brewdog LI logoBrewdog, the Scottish craft beer company, brilliantly and notoriously positioned themselves, with awesome product and punk Visit postattitude, against the boring, patronising drinks industry. I’ve had first-hand dealings with that inert, self-interested patriarchy as co-founder of Blackwood’s Gin in the early noughties. The struggle is real. I judged the Bartender Awards in Australia several years ago and was gobsmacked to witness corporate bullying like this. And I wish I’d had the chutzpah to write this riposte to the Portman Group.

Fahrenheit Press logoSimilarly, crime fiction publisher Fahrenheit Press are exponents of the ‘this is who we are: you’ll either love us or you’ll hate us’ strategy, inspired by the founder’s punk roots and attitude. Communicating primarily through Twitter and email, the tone is of a gang mentality – you’re either with us or against us. It pays off. Fahrenheit only published their first book (of over 50 to date) in October 2015, but their style and substance have already made a disproportionately huge impact on the publishing industry, attracting and publishing big-name authors and launching newly discovered authors into readers’ hands with equal attention and confidence.

What all these brands achieve, with their polarizing brand strategies, is to create commercial value where there is none, and/or build value faster than most. Clever. They sustain it by sticking to their authentic values and principles. Even as success alters their P&L their attitude, marketing and positioning stay true. The brand associations in consumers’ minds become sub-conscious over time and we either love them or hate them – but we definitely know which one. There’s no ‘meh’ about these brands.

I’ve only named brands that I love in this post, but then I’m a lover not a hater. And in a weird sort of way it winds us back to the very beginning – two brands, Savlon and Germolene, owned respectively by ICI and Beechams in the 1970s. Despite being owned by these behemoths, the amusing and nostalgic replies to the Twitter poll clearly show the place these two brands have in our hearts and our memories.

https://twitter.com/demerarabird/status/803342406368247808

I’m quite impressed that my naïve childhood observation-based theory was spot on. The impact of a brand that embeds deep and lasting memories and feelings of love (or hate) is a powerful force. For consumers it becomes part of our identity; for the companies a sustainable source of growth.

PS I read this wonderful article recently, about childhood memories and how they shape us, even after we’ve forgotten them, by Erika Hayasaki. It’s absolutely fascinating.

PPS Big thanks to the 361 people who voted, the 27 people who retweeted it, and the 29 people who replied with their stories. I’m mightily tempted to write about that ‘pain is good’ thing that was so common in the 70s – remember neat TCP dabbed on with a cotton wool ball? Check out the replies (by clicking on the poll tweet near the top of this article) if you want to wallow in such memories as Dettol baths.

THIS STUFF MATTERS

 

I accidentally caught the TalkTalk ‘This Stuff Matters’ ad on TV yesterday evening. I’m a committed pause/FF TV watcher but this one leapt out at me, made me stop, rewind and replay. It’s a fly-on-the-wall/day-in-the-life story of a family who live at 9 Merwick Street, Somewhereorother. It was filmed over two weeks by unmanned cameras. It features both spilt milk and crying, though not at the same time. Take a look if you haven’t seen it yet.

I love it.

Why?

It’s authentic. It’s actual TalkTalk customers doing everyday at-home stuff like watching TV, mucking around on social media, texting, phoning. Mum probably had make-up on when she might not normally, but no one can stay constantly conscious of hidden cameras for two weeks. The edit of unscripted cameos feel real – because they are real. What comes through is genuine love, mischief, mishaps, laughter.

TalkTalk is an ISP so normally, you know, Y::A::W::N. Media, phone and social media technology is so integrated into normal life that we never marvel or appreciate it. The tone of the ad is TalkTalk’s surprise and spontaneous recognition at how much all their tech-supporting infrastructure matters to everyday life. This ‘surprise’ is a bit of advertising sophistication, of course. But the fact remains – it’s still true that tech makes our social world go around, and therefore the message is heart-warming. This brand recognises its value in customers’ lives, and reminds the rest of us too. I wonder what they’ll do with this insight, beyond the ad campaign?

Companies that recognise what makes their brands, products and services matter most to their customers are surprisingly rare. Often the job of identifying exactly why customers value them and what they could be proud of, is outsourced to agencies. In this case the excellent Chi & Partners, long-term agency for TalkTalk. But shouldn’t this job be innate to companies themselves? Actually part of their core business? Shouldn’t it form part of the function, part of the brief, to every department in the company?

If it’s not, and it rarely is, it helps to have someone or a team either already native or willing to go native, to uncover and enliven the authentic bits of the business’s brand.

It’s brand rebirth midwifery. It requires determination, compassion, energy, intellect, learning and the rolling-up of sleeves.

I’ve done both – been native and gone native. I co-founded one of the first wave of new gins, in 2003. Blackwood’s Gin, ultimately sold to Distil Plc, was born authentic – admittedly because there wasn’t any money in our start-up for anything fancy. We couldn’t even afford the cost of running the labelling machine at the bottlers (where they put the gin into our bottles, seal them, and usually add the blinking labels). For the first batch, we hand-labelled every single bottle, overnight, before selling direct to consumers at shows all over the UK. That unwelcome sleep-deprivation reaped huge commercial reward – we sold loads which meant we could afford to treat ourselves to the labelling machine for the next batch. But the unintended authenticity of that hand-labelling wasn’t the heart of our gin’s brand, that was just a bit of start-up back-story.

It was this – the botanicals that we distilled into Blackwood’s Gin were hand-picked in Shetland. An annual hand-harvest of natural botanicals from this stunning, fresh, remote and wholly unique county of Scotland. The ratio of the different botanicals varied depending on what flourished best in each unpredictable Shetland summer. It was the world’s first ‘vintage’ gin.

This was our product and brand story. With it we sold our gin to consumers at shows; and to retailers including Sainsburys, Tesco and Co-Op; and to trade and wholesale partners around the world. For example our simple authentic story accelerated us from zero to a joint venture with Fosters Group (now CUB) in Australia and New Zealand within six months, and to UK Trade & Industry New British Exporter of the Year just 15 months after launching.

Authenticity that started with the brand, and resulted in exceptional sales.

Later I fell in love with Gumtree. I went native to create their first ever UK-wide ad campaign to celebrate their tenth birthday in 2010. I discovered a much-loved business that had grown so quickly and so far that it definitely knew what it did, but not why it did it. ‘Online classifieds’ doesn’t set the pulse racing, does it?

I talked to the team, the amazing and brilliant team. The geeks, the producers, customer services, marketers, sales. It wasn’t a huge team at that point, still fitting on one floor of one building on the much-loved eBay campus. It was one of the sales team (I think Murray Phillipson, now at Sovrn) who when I asked him his pitch to his clients said, “Gumtree is everyone’s local noticeboard.” Ahhhhhhh – got it! Suddenly, and from right there inside the company – where it had always been, waiting to be uncovered – was the meaning, usefulness and common language for the brand. Easy to comprehend. We all know why we’d use a local noticeboard.

As the idea developed, we decided to cast the campaign from the team at Gumtree which visually bolstered the authenticity in our message. Here’s a PDF of the full set of London tube ads, featuring teammates gumtree-tube-cards-2010.

The aim of the campaign was to persuade lapsed users to consider Gumtree again, and to bring new buyers and sellers to the brand. The commercial result was that we reached over two million live listings for the first time ever, providing a massive revenue boost. (Gumtree has rebranded since, in 2016.)

All three brands – TalkTalk, Blackwood’s Gin and Gumtree – identified their authentic soul. From the outside it’s seemingly effortless because it all rings true, it all comes from an authentic place within the businesses. This gives the companies permission to speak to consumers in a way that glossy productions often can’t. Maybe the shine of high-gloss blinds us a bit?

All three companies were brave and visionary enough to highlight authentic elements of their brands to deliver a commercial objective. TalkTalk to recover trust following a data breach. Blackwood’s Gin to become a fast-growing challenger brand. Gumtree to deliver a step-change in sales revenue.

As ‘authenticity’ continues to develop from being a brand buzzword into a recognised and valuable business asset, the cleverer companies look within themselves and to their customers to uncover ways to unleash latent value and create new and true commercial opportunities.

This stuff matters.